giovedì 15 novembre 2007

Mozart's Sister: A Novel

Hi and welcome! I'm the Italian novelist Rita Charbonnier, author of Mozart's Sister: A Novel (published in English by Three Rivers Press). This is the only English post on this blog (there are articles in German and French also).

Maybe you arrived here because you were looking for information on Maria Anna "Nannerl" Mozart. If that’s the case, you could visit my main site, Rita Charbonnier online, in English. There you will find articles, photographs and portraits of Nannerl, as well as information about my novel (press coverage included).

You might also want to read the BookPage and the Curled Up with a Good Book reviews for Mozart's Sister. The author Michelle Moran did an exclusive interview of me for her History Buff blog (thanks Michelle!): this is it. Finally, you can find various readers’ comments on this page.


Wolfgang was not the only musically gifted Mozart

"Charbonnier brings Nannerl's relationship with music to life, from the joy in composing to interpreting a score to the physical nuances of performing."
--Kirkus Reviews

Wolfgang Amadeus Mozart's musical genius was first evident at three years old, and from there he went on to compose some of the most elegant, intricate, and famous concertos, operas, and chamber music in the world. However, as late as 1765 when Wolfgang and his sister Maria Anna Walburga Ignatia Mozart (affectionately nicknamed Nannerl) would perform together, it was Nannerl who received top billing.

MOZART'S SISTER by Rita Charbonnier is based on historical fact and follows Nannerl, the equally prodigious older sister of Wolfgang Amadeus Mozart. Wolfgang and Nannerl could not have been more different from one another—she was quiet and shy, he was outgoing and charismatic. Yet, from the time Wolfgang was born, he and Nannerl shared a strong bond. They held wild fantasies and a gift for composing and playing music considered quite progressive for the late Baroque/early Classical style that was prevalent at the time. Wolfgang and Nannerl performed for aristocracy and royalty as musical child prodigies, and soon became the talk of eighteenth century Europe.

As Wolfgang and Nannerl matured, Nannerl's talent began to take a backseat to her brother's ascending meteor. Her father insisted that she teach instead of perform, in order to support Wolfgang's career. But just as Nannerl's creativity seemed to be dying an unnecessary death, one of her students reawakened her passion, and inspired her to find her own unique genius.

MOZART'S SISTER is an elegant, florid, and rich story of a forgotten musical genius who learned to create and compose in her own right. Charbonnier's interpretation of this formidable woman is sure to resonate not only with fans of music or historical fiction, but with anyone who knows what it feels like to live in another's shadow.

Praise

“A moving tribute to the spirit of a forgotten sibling. Music imbues every gripping page, and in revealing Nannerl, Charbonnier also gives us a different view of Mozart, both rounding out and exploding the myths of his brief, tragic life.”
Susanne Dunlap, author of Emilie’s Voice and Liszt’s Kiss

“A dysfunctional family, sex scandals, and true love?—eighteenth-century Europe was a far different world from ours, yet Rita Charbonnier’s skill and verve make us feel at home, and we cheer for the brilliant, resilient Nannerl as she struggles to become much more than Mozart’s sister.”
Karen Harper, author of The Last Boleyn

“If you sympathized with Salieri when you watched Amadeus, wait until you find out what happened to Nannerl, Mozart’s sister. As brilliantly talented as her younger brother, she had a famous musical career that was ruthlessly turned into a mere addendum to his. Mozart’s Sister brings an intriguing woman back to life.”
India Edghill, author of Wisdom’s Daughter

4 commenti:

  1. Rita – I finished reading “Mozart’s Sister” last night and just wanted to let you know that I enjoyed it immensely. You, my dear, are an incredibly gifted writer. I’m afraid I’ve scribbled all over your book, marking countless lines and passages that moved me in one way or another, but within my rather humble library of favorite works a book thoroughly marked up is the surest indicator of a book that surely moved me. You have reminded me of why some of us end up writing and why most of us, quite wisely, move on to do other things. The historical research to write the book must have been quite exhaustive (and historical works are what I mostly read), and yet not once did it ever become tedious or loose it’s readability as a literary novel. Your command of language and your ability to describe the complexity of human emotion involved within this story is astonishing and inspiring. I could write a novel responding to your novel, but never could I begin to approach your gift for written expression. For now, I just wanted you to know that I’ve discovered a new favorite author of mine, and her name is Rita Charbonnier. So please tell! What’s next!? I can’t wait!

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  2. I just finished your book. IT IS SO INCREDIBLE WELL DONE.

    As we know, the mark of a good book is how well it manages to engage the viewers emotions.

    Well, it definitively engaged mine!!!!
    Sad, mad, happy, feeling sorry for her. You engaged my attention as well as my emotions.

    Such skill you have to spin off such a tale based only on letters. Thanks for the opportunity.

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  3. Buon Girno Rita,

    I just completed reading and reviewing Mozart's Sister. It is a spectacular novel. I just wrote a lovely review for it on my blog:
    http://historicalnovelreviews.blogspot.com and I've posted the review on Amazon.com and other sites.

    Congratulations on a fabulous piece of work!

    http://www.mirellapatzer.com

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  4. Thank you so much for your beautiful
    review, Mirella! And your blog looks fantastic!
    All best wishes,
    Rita

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